Rencontre avec : Max Krupski, Toby Gordon et James Lawrence

Acteurs / Actors (traduction française après version originale)

The Great Gatsby
The cast of The Great Gatsby, including Toby Gordon as George Wilson (top left), Max Krupski as Jay Gatsby (second from right) and James Lawrence (down in front) © Helen Maybanks

Because of its phenomenal success, The Great Gatsby has extended until the end of the year. We had the opportunity to talk about the show and immersive theatre in the UK with three cast members : Max Krupski who plays Jay Gatsby, Toby Gordon who plays George Wilson and James Lawrence who understudies Nick Carraway and Jay Gatsby.

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Jim Cummings : Interview bonus

Interview additionnel français / Full original english interview (read past french version)

Jim Cummings le 11/09/18 à Paris

S’agit-il d’un personnage typiquement américain selon toi ? 

Il a quelque chose de spécifique aux Etats-Unis et surtout le sud des Etats-Unis. Notamment le Texas, c’est un état tellement dingue qu’il ne pourrait vivre que là bas je pense. En Amérique dès qu’il y a une fusillade, le responsable c’est presque toujours un homme, ce n’est jamais une femme. Nous sommes dans une société dirigée par des gorilles, c’est tribal et toxique. Une société d’hommes c’est comme une compétition pour qui sera le plus stupide et agressif. C’est une vraie épidémie. Mon personnage essaye d’être cet homme viril, un peu comme John Wayne, mais il échoue. Même s’il fait de son mieux il est difficile de ne pas se dire : « Ce mec là ne devrait pas avoir le droit de porter une arme! » Puis, c’est quand on le voit qui essaye de parler de sa mère et de construire une relation saine avec sa fille, on comprend que c’est ça la solution pour ne plus être un connard.

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Rencontre avec : Murray Gold

Compositeur / Composer (traduction française après version originale)


Ben Whishaw (Norman Scott) et Hugh Grant (Jeremy Thorpe) dans la série A Very English Scandal

Murray Gold is a 5 time BAFTA nominated British composer. He has worked on shows such as Vanity Fair, Casanova and Queer as Folk. He is mostly known for his work on Doctor Who since it was renewed in 2005 and he only recently announced that he would be stepping down as the composer of the show. He is already back with new music for A Very English Scandal, the new tv series, about Jeremy Thorpe’s trial, directed by Stephen Frears. The show was premiered in France at the festival Séries Series and we had the great pleasure of sitting down with Murray Gold.

You’ve worked on Doctor Who for thirteen years, how did you manage to keep it fresh and come up with new ideas?

I don’t know, it’s like when you wake up in the morning, you talk to your friends on the phone and you have new funny things to say. I get really excited just sitting down and writing music for a new episode. Every episode was done so fast that it didn’t get time to really get stale you know? Even if it was 13 years on the same show, each episode was so different and so quick that I just had a lot of fun writing all that music.

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Rencontre avec : Jack Baldwin

Acteur / Actor (traduction française après version originale)

Jack Baldwin

Mischief Theatre is one of the most acclaimed names in British comedy. Their show The Play That Goes Wrong has been running in London since 2012 and their more recent one The Comedy About A Bank Robbery since 2016. This year they came back with an improv show, Mischief Movie Night, making them the only company with three shows running simultaneously in the West End. The casts for both shows are changing this year and we met one of the newcomers : Jack Baldwin, who played in The Play That Goes Wrong, and is making his debut in The Comedy About A Bank Robbery this week .

When stepping into a role that has been played before, do you try to recreate what the previous actor did or try to make up your own version?

A bit of both, I think all actors are individuals so there are some things that they can do that I couldn’t possibly hope to do, but equally there are some things I can do that they can’t. As long as you’re true to the character and the play itself I think we end up doing similars things.

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Rencontre avec : Marc Antolin

Acteur / Actor (traduction française après version originale)

Marc Antolin © Steve Tanner

Marc Antolin is once again working with Emma Rice, as Kneehigh theatre company brings back The Flying Lovers of Vitebsk on stage. He steps back into the part of Marc Chagall in this musical about the painter’s artistic and personal life with his wife Bella. With shows such as Matilda, Peter Pan or Romantics Anonymous the actor keeps sharing with the British audiences varied and brilliant performances. We had the opportunity of having a chat with him on the final day of the London run of The Flying Lovers of Vitebsk, before he takes the show on a tour across the US and UK.

Is there a difference between playing a made up character and a real one like Marc Chagall ?

There is a massive difference, when you play a real character you have lots of research that you can do on that person. Especially with Marc Chagall there was so much information I could access : videos, pictures, books, so you sort of have a starting point. Whereas when you’re playing a made up character you have a free reign over what you can do with it. Which is quite exciting because then you can be as elaborate and imaginative as you wish. But the nice thing about playing real characters in theatre productions is that you still have a licence to enhance them slightly, because obviously if it’s a theatrical production like The Flying Lovers of Vitebsk they’re going to be bigger versions of that character. For example Marc Chagall didn’t speak english, he was Russian but Emma Rice, the director, allowed me to use my own accent because he was a working class painter. His wife, Bella is from a quite well-off family, they owned lots of jewelry shops and it’s quite nice, because of that, to have that difference of accents between the two characters in the show.

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Rencontre avec : Colombe Savignac et Pascal Ralite

Réalisateurs et scénaristes


Le premier film de Colombe Savignac et Pascal Ralite, Le rire de ma mère, fait le portrait d’un adolescent timide qui se cherche après le divorce de ses parents, avant d’être confronté à une réalité douloureuse. Les deux cinéastes sont revenus pour nous sur la création de cette œuvre à la fois tendre et bouleversante, actuellement en salles. 

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Rencontre avec : Louis Maskell

Acteur / Actor (traduction française après version originale)

Louis Maskell © Dan Wooller

Louis Maskell, making his West End debut this year, is the rising star of the British stage. The 28 year old actor’s interpretation of Grinpayne in The Grinning Man has been praised by both critics and audiences.

You’ve played characters such as Tony in the UK tour of West Side Story, what are the differences between getting into a musical that everyone already knows and a completely new one like The Grinning Man ? Is it more stressful because it’s new or, on the contrary, more relaxed because you can make it your own ?

There’s a definite mix. I’d say that for me the stress and relaxation that come with putting on an original production are far more positive emotions than negative.

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